Princess patterns are pretty. But this file is concerned only with the pattern's name, not the various designs cut by companies that produced patterns named Princess. There is no doubt that the name was a popular one. Four Princesses were introduced from 1893 to 1895, at least one a year. But before taking a look at these Princesses, let us consider the Princess patterns that were available before 1893, as well as those that came after 1895.
At least two Princess patterns precede 1893: The more famous one, thanks to the detective work of Bill Evans, who identified the pattern in 1994 (note 1), is T. G. Hawkes' patented Princess pattern of 1888 (patent no. 18,301). According to Spillman (1996, p. 186) the pattern was already in production the previous year. The second Princess pattern was introduced by the Phoenix Glass Company of Monaca, PA in 1890, but an illustration of it has yet to be found (note 2).
After 1895 there are at least three additional Princesses: Again, it is Hawkes' version that is the most well-known: His Princess (now called Princess II to distinguish it from the earlier, patented pattern) is a member of the company's "royal family" -- which includes the Queens and Kings patterns -- all members of which were introduced shortly after the turn of the twentieth century (Sinclaire and Spillman 1997, p. 97). The second Princess pattern is one that was being cut by the A. L. Blackmer Company of New Bedford, MA in 1906 (ACGA catalog reprint, 1982). Also, at about this time, the last of the Princess patterns appeared, given birth by the Liberty Cut Glass Works of Egg Harbor City, NJ. But this Princess is not of royal blood -- she is an impostor! The pattern is simply a re-naming of Quaker City Cut Glass Company's Ellsmere pattern.
The Liberty Cut Glass Works had strong ties to the Quaker City company (note 3). Liberty's c1905 catalog provides several items that are identical in both pattern and shape to items in a Quaker City catalog of about this date. What has been changed are the names -- and the prices. As explained in a Liberty sales brochure, the consumer could realize "A SAVINGS OF 40 PER CENT" because "we have adopted the plan of selling DIRECT FROM THE WORKS TO THE HOME". In other words: no middlemen. Although the Quaker City Cut Glass Company is not mentioned in the brochure, it is their cut-glass prices to which the discount was applied. Today, Liberty would be regarded as a factory outlet, although it also cut glass. For several items it is impossible to tell whether they were cut by Liberty or by Quaker City.
With the foregoing out of the way, we can now focus on the so-called princess period of 1893-1895 and reveal what we now know -- and don't know -- about the individual patterns. Our primary source is an old friend: yes, it is Dorothy Daniel (1950) who identifies the following four Princesses:
Daniel undoubtedly obtained her information about "Pairpoint's Princess" from Thomas A. Tripp (1857-1953), a long-time officer of the company and an authority on its history. She acknowledges him in her Preface. Daniel always seemed to know whom to contact for information when she was writing her book. Unfortunately, however, she did not always receive accurate information from her correspondents. One can recall her experience with Samuel Hawkes concerning Hawkes' Russian and Princess ("Devonshire") patterns. Perhaps this is the situation here. In any case, we have to conclude that there seems never to have been a Princess in the Pairpoint household.
J. Michael Pearson had access to Daniel's book, but not Revi's, when he wrote his first book (1965). He ignores the name "Princess", as found in Daniel, and supplies his own name, "Split Square", a name he retaines in subsequent books. Today, "Split Square" is heard almost as frequently as "Princess". While the pattern's true name might be "Princess", until incontrovertible evidence is discovered quotation marks should be used. The writer admits, however, that "Princess" looks more and more like the official name for Arthur's pattern. It was patented in 1895 as no. 24,060.
Oddly, Daniel comments (p. 269) that nos. 1-3, above, are "variations" that have "acknowledged their debt to the standard pattern [that is, no. 4] by name". How can this be? Nos. 1-3 preceded the standard, including no. 3 whose patent was granted several months before no. 4's!
Nine pretty Princess patterns, including one that is an impostor and one that is missing! If the reader is aware of any additional Princess, he should contact the writer at jmhavens99 at hotmail dot com, and they will be included.
NOTES:
1. Evans, Bill, 1994: Desperately seeking "Devonshire", The Hobstar, Vol. 16, No. 9, pp. 1, 6-8 (Jun).
2. Howe, Ken, 2002: The Phoenix Glass Company. The Hobstar, Vol. 24, No. 5, pp. 12-16 (Feb) and No. 6, pp. 6-12 (Mar). For corrections to this article, please see the howe1.htm file in Part 1.
3. Walker, Bud, 2001: Liberty Cut Glass Works, Glass Collector's Digest, pp. 78-83 (Dec-Jan). Also, Mucha, M. E., 1986: Quaker City, hand finish. The Glass Club Bulletin, No. 149, pp. 9-11 (Spring). An account of the Quaker City Cut Glass Company that does not mention the Liberty Cut Glass Works.
Updated 26 Feb 2005